Phantasmic meaning professional#

The tragic condition is the condition of human existence as it deals with the plurality of Being, since this dealing involves arranging the radical plurality of singular phenomena under common representations, and involves organizing the radical plurality of singular human beings under the law of the community. Knowing the tragic condition means recognizing the ultimate fracture beneath any epistemological or political institution of law and order. Eventually, such a task is the thorough understanding of the tragic condition as the constitutive condition of existence: “I will not conceal the fact that if there is an urgent task for thinking, it is, for me, to better know the tragic condition. The fragility of our time-site is mostly the symptom that reveals the diremption of the last principle’s hegemony and the opening of the last of what Schürmann calls inter-hegemonic times but, rather than being an ‘everyone-for-themselves’ wake-up call, such a fragility represents an opportunity and a new task for thought. the emptying out of all normative representation.

Phantasmic meaning professional#

Anticipating what is to come in the following pages, one could say that what pushes globalization theories on today is nothing but the consoling and consolidating work of those who Reiner Schürmann calls the professional philosophers, or, rather, nothing but the impulse of natality.įor Schürmann, the fragility of our time-site is the fragility that we owe to kenosis, i.e. It seems to be suggesting that the collapse of the architectonics that supported the university disciplinary edifice can become the grand narrative that promises to offer a reliable apparatus of legitimization to the university’s discourse as long as it accepts an Escherian, though cosmetic, remodeling of its structure. Nevertheless, behind globalization theories what stubbornly endures is the resistance against accepting the post- as defining our condition, that is to say, the “obsolescence of the metanarrative apparatus of legitimation” insofar as it “corresponds, most notably to the crisis of metaphysical philosophy and of the university institution which in the past relied on it” (xxiv). Globalization’s constitutive spatiotemporal ambiguity, as well as its inherent unsteadiness as a principle of foundation for an edifice of positive knowledge still speaks about the crisis that Lyotard, in his The Postmodern Condition, described as modern legitimization through “the reference to a metadiscourse that explicitly appeals to some grand narrative” (xxiii).

It is the attempt of transforming the collapse of Modernity into a new (?) last (?) grand narrative.

Leaving aside any intention of discussing or assessing globalization on its epistemological merits, one can indeed say that it has been the most significant attempt to give our time’s uncertainty some framework. A number of shaky attempts to rescue it through a pretense of radical novelty were made by turning to the concept of globalization. It is the time of need because it stands in a double lack and a double not: in the no-longer of the gods who have fled and in the not-yet of the god who is coming” ( Hölderlin 64).Įverything about our time-site appears blurry and uncertain. This is the time that Martin Heidegger called, along with Hölderlin, the time of need: “It is the time of the gods who have fled and of the god who is coming. Some sort of fragility seems to mark our time, that is, the time that is the topos, the site, of our existence the time that is the site where and when the architectonics of modernity collapsed, a time that is quite ‘timeless’ since it marks more a condition than a moment, or since it is marked more as a momentum of dissolution than an epoch in history a site that is quite borderless since it has lasted anywhere between a century and ten years. Back in May 2021 we signed with Paraflixx and then with Roku.Reiner Schürmann, Broken Hegemonies Our Vulnerable Times The show was pitched to numerous networks and streaming platforms. It took a lot of time, but the finished product was mind blowing. Working along side very talented Executive Producers from A&E, Netflix, Travel Channel. Restrictions came back and we had to postpone filming of the last two teams till 2021.Įpisode One was released at the RED CARPET Event back in September 2019. Neighboring states, we started filming Season 2 of Truth or Legends in your Hometown. Once restrictions were removed for us here in Kentucky and our Restrictions caused our production to STOP. Our editing team in Burbank, CA were in Lockdown. Editing started up in JANĬame to an abrupt halt when the Pandemic set in. Season One of Truth or Legends in your Hometown finished filming November 2019.